Still 48

48

Still 48
Still 48
Still 48
Still 48
by Susana de Sousa Dias
Documentary, 2009, 93′

What can a portrait photograph reveal about a political system? What can a picture taken 35 years ago tell us about our contemporary society?

Based on photographs taken on the arrest of political prisoners during the Portuguese dictatorship (1926-1974), 48 aims to convey the mechanisms by which a dictatorial regime seeks to self-perpetuate.

Written, Directed and Edited by: Susana de Sousa Dias
Cinematography: Octávio Espírito Santo
Sound: Armanda Carvalho
Additional Sound: Paulo Cerveira and Valente Dimande
Sound Design: António de Sousa Dias
Sound Mixing: Tiago Matos
Post-production Director: Helena Alves
Executive Producer: Elsa Sertório
Producer: Ansgar Schaefer

Support: ICA and RTP

  • Cinéma du Réel, France, GRAND PRIX 2010
  • Opus Bonum Award, Jihlava 2010
  • FIPRESCI Award, Dok Leipzig 2010
  • Don Quijote Award 2010, City of Coimbra 2010 Grand Prix
  • Mention of the Jury, Punto de Vista, 2011
  • First Prize, International Competition of the VII International Independent Film Festival of Mar del Plata, Argentina, 2011

Susana de Sousa Dias was born in Lisbon, in 1962. She has a Doctorate in Fine Arts (Audiovisual), a master’s degree in Aesthetics and Philosophy of Art, a degree in Painting and a bachelors degree in Cinema. She studied music at the National Conservatory. Among her works are “Natureza Morta – Visages d’une dictature” (2005, Atalanta Prize, TaiwanIDF), “48” (2009, Grand Prix Cinéma du Réel, FIPRESCI prize, among others), Still Life | Stilleben (installation, 2010) and “Obscure Light” (2017). Fordlandia Malaise (2019) is her most recent film.

Susana’s works were exhibited at international film festivals and exhibitions (Viennale, Visions du Réel, Sarajevo IFF, Torino FF, PhotoEspaña, Documenta, etc.). In 2012 she received a tribute from Cinéma du Réel and was a guest artist at the Robert Flaherty Film Seminar, New York. That same year she formed a group that directed the Doclisboa, International Film Festival for two consecutive editions (2012-2013). She is a professor at the Faculty of Fine Arts in Lisbon.

Synopsis

What can a portrait photograph reveal about a political system? What can a picture taken 35 years ago tell us about our contemporary society?

Based on photographs taken on the arrest of political prisoners during the Portuguese dictatorship (1926-1974), 48 aims to convey the mechanisms by which a dictatorial regime seeks to self-perpetuate.

Credits

Written, Directed and Edited by: Susana de Sousa Dias
Cinematography: Octávio Espírito Santo
Sound: Armanda Carvalho
Additional Sound: Paulo Cerveira and Valente Dimande
Sound Design: António de Sousa Dias
Sound Mixing: Tiago Matos
Post-production Director: Helena Alves
Executive Producer: Elsa Sertório
Producer: Ansgar Schaefer

Support: ICA and RTP

Festivals & Screenings
Awards
  • Cinéma du Réel, France, GRAND PRIX 2010
  • Opus Bonum Award, Jihlava 2010
  • FIPRESCI Award, Dok Leipzig 2010
  • Don Quijote Award 2010, City of Coimbra 2010 Grand Prix
  • Mention of the Jury, Punto de Vista, 2011
  • First Prize, International Competition of the VII International Independent
  • Film Festival of Mar del Plata, Argentina, 2011
Susana de Sousa Dias

Susana de Sousa Dias was born in Lisbon, in 1962. She has a Doctorate in Fine Arts (Audiovisual), a master’s degree in Aesthetics and Philosophy of Art, a degree in Painting and a bachelors degree in Cinema. She studied music at the National Conservatory. Among her works are “Natureza Morta – Visages d’une dictature” (2005, Atalanta Prize, TaiwanIDF), “48” (2009, Grand Prix Cinéma du Réel, FIPRESCI prize, among others), Still Life | Stilleben (installation, 2010) and “Obscure Light” (2017). Fordlandia Malaise (2019) is her most recent film.

Susana’s works were exhibited at international film festivals and exhibitions (Viennale, Visions du Réel, Sarajevo IFF, Torino FF, PhotoEspaña, Documenta, etc.). In 2012 she received a tribute from Cinéma du Réel and was a guest artist at the Robert Flaherty Film Seminar, New York. That same year she formed a group that directed the Doclisboa, International Film Festival for two consecutive editions (2012-2013). She is a professor at the Faculty of Fine Arts in Lisbon.

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