Fordlandia Malaise is a film about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928.
His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less then a decade.
Nowadays, Fordlandia is a space suspended between times (20th and 21st centuries), between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass and masonry still remain in use while traces of indigenous life left no marks on the ground.
Although Fordlandia is well-known due to the short lasting Fordian period, one must not forget the history either before or after.
Giving voice to the inhabitants who claim the right to write their own story and reject the ghost town label, Fordlandia Malaise blends together archive imagery, drone footage, tales and narratives, myths and songs.
Director: Susana de Sousa Dias
Image, Sound and Editing: Susana de Sousa Dias
Assistant Editor: Mário Espada
Sound Design: António de Sousa Dias e Susana de Sousa Dias
Colorist: Marco Amaral
Sound Mix: Pedro Góis
Executive Producer: Rui Ribeiro
Assistant Producer: Nikolaus de Macedo Schäfer
Production: Ansgar Schaefer
Production Company: Kintop, Portugal
Distribution: Kintop | Arsenal-Institut for Film and Videoart
Susana de Sousa Dias was born in Lisbon, in 1962. She has a Doctorate in Fine Arts (Audiovisual), a master’s degree in Aesthetics and Philosophy of Art, a degree in Painting and a bachelors degree in Cinema. She studied music at the National Conservatory. Among her works are “Natureza Morta – Visages d’une dictature” (2005, Atalanta Prize, TaiwanIDF), “48” (2009, Grand Prix Cinéma du Réel, FIPRESCI prize, among others), Still Life | Stilleben (installation, 2010) and “Obscure Light” (2017). Fordlandia Malaise (2019) is her most recent film.
Susana’s works were exhibited at international film festivals and exhibitions (Viennale, Visions du Réel, Sarajevo IFF, Torino FF, PhotoEspaña, Documenta, etc.). In 2012 she received a tribute from Cinéma du Réel and was a guest artist at the Robert Flaherty Film Seminar, New York. That same year she formed a group that directed the Doclisboa, International Film Festival for two consecutive editions (2012-2013). She is a professor at the Faculty of Fine Arts in Lisbon.
Fordlandia Malaise is a lm about the memory and the present of Fordlandia, the company town founded by Henry Ford in the Amazon rain forest in 1928.
His aim was to break the British rubber monopoly and produce this material in Brazil for his car production in the United States. Today, the remains of construction testify to the scale of the failure of this neocolonialist endeavor that lasted less then a decade.
Nowadays, Fordlandia is a space suspended between times (20th and 21st centuries), between utopia and dystopia, between visibility and invisibility: architectural buildings of steel, glass and masonry still remain in use while traces of indigenous life left no marks on the ground.
Although Fordlandia is well-known due to the short lasting Fordian period, one must not forget the history either before or after.
Giving voice to the inhabitants who claim the right to write their own story and reject the ghost town label, Fordlandia Malaise blends together archive imagery, drone footage, tales and narratives, myths and songs.
Director: Susana de Sousa Dias
Image, Sound and Editing: Susana de Sousa Dias
Assistant Editor: Mário Espada
Sound Design: António de Sousa Dias e Susana de Sousa Dias
Colorist: Marco Amaral
Sound Mix: Pedro Góis
Executive Producer: Rui Ribeiro
Assistant Producer: Nikolaus de Macedo Schäfer
Production: Ansgar Schaefer
Production Company: Kintop, Portugal
Distribution: Kintop | Arsenal-Institut for Film and Videoart
Susana de Sousa Dias was born in Lisbon, in 1962. She has a Doctorate in Fine Arts (Audiovisual), a master’s degree in Aesthetics and Philosophy of Art, a degree in Painting and a bachelors degree in Cinema. She studied music at the National Conservatory. Among her works are “Natureza Morta – Visages d’une dictature” (2005, Atalanta Prize, TaiwanIDF), “48” (2009, Grand Prix Cinéma du Réel, FIPRESCI prize, among others), Still Life | Stilleben (installation, 2010) and “Obscure Light” (2017). Fordlandia Malaise (2019) is her most recent film.
Susana’s works were exhibited at international film festivals and exhibitions (Viennale, Visions du Réel, Sarajevo IFF, Torino FF, PhotoEspaña, Documenta, etc.). In 2012 she received a tribute from Cinéma du Réel and was a guest artist at the Robert Flaherty Film Seminar, New York. That same year she formed a group that directed the Doclisboa, International Film Festival for two consecutive editions (2012-2013). She is a professor at the Faculty of Fine Arts in Lisbon.