This is the story of a Uitoto indigenous person who organized armed resistance to rubber exploitation at the beginning of the 20th century in Casa Arana. Yarokamena, invokes the spiritual and cosmic forces of war, releasing its destructive power from its container that ends up creating a spiral of betrayal and death. This remarkable tale was banned by traditional authorities for its potential to attract young people to revolt and function as a stimulus to resort to witchcraft.
This story is told by Gerardo Sueche, councilor of the Uitoto peoples, going through filmic portraits of a delirious Amazon, invaded by technological ruins, dysfunctional antennas, ghost ships, and colonial ghosts housed in the oral memory of the survivors of this episode of exploitation and extractivism; using cinema as a new container for this destructive force.
Andrés Jurado is an artist, filmmaker, researcher and producer whose work explores the intersections between experimental and expanded cinema, archives, counter archive, contemporary art, propaganda, mosquitoes, aliens, the space race, and the incidences of those in the construction of contemporary narratives and politics. His works have been presented at Docs Buenos Aires, MIDBO Bogotá International Documentary Festival, and EMAF, among others. He is co-founder and co-director of the Laboratory of Experimental Cinema and Expanded Theater La Vulcanizadora. His film El Renacer del Carare received a Special Mention of the Flash Competition in the 31st FIDMarseille 2020 and the Public Prize of the Panorama de Cinema Colombiano in Paris in 2021. He was part of the Forensic Architecture Team in the investigation into land dispossession, disappearance, and deforestation in Colombia. His last short Yarokamena premiered in 72 Berlinale Forum Expanded.
This is the story of a Uitoto indigenous person who organized armed resistance to rubber exploitation at the beginning of the 20th century in Casa Arana. Yarokamena, invokes the spiritual and cosmic forces of war, releasing its destructive power from its container that ends up creating a spiral of betrayal and death. This remarkable tale was banned by traditional authorities for its potential to attract young people to revolt and function as a stimulus to resort to witchcraft.
This story is told by Gerardo Sueche, councilor of the Uitoto peoples, going through filmic portraits of a delirious Amazon, invaded by technological ruins, dysfunctional antennas, ghost ships, and colonial ghosts housed in the oral memory of the survivors of this episode of exploitation and extractivism; using cinema as a new container for this destructive force.
Andrés Jurado is an artist, filmmaker, researcher and producer whose work explores the intersections between experimental and expanded cinema, archives, counter archive, contemporary art, propaganda, mosquitoes, aliens, the space race, and the incidences of those in the construction of contemporary narratives and politics. His works have been presented at Docs Buenos Aires, MIDBO Bogotá International Documentary Festival, and EMAF, among others. He is co-founder and co-director of the Laboratory of Experimental Cinema and Expanded Theater La Vulcanizadora. His film El Renacer del Carare received a Special Mention of the Flash Competition in the 31st FIDMarseille 2020 and the Public Prize of the Panorama de Cinema Colombiano in Paris in 2021. He was part of the Forensic Architecture Team in the investigation into land dispossession, disappearance, and deforestation in Colombia. His last short Yarokamena premiered in 72 Berlinale Forum Expanded.